(un)framing vision
forming compositions requires more than just looking, it’s vision with care and deliberation. just as a frame encloses an image, it opens up an infinite range of new ones.
the configurations in this book were created by scanning cut-out paper frames over pages of library photo-books. the selective and playful subtraction of the photographs through a circle, square and rectangle lens, results in a compilation of compositions within compositions that demonstrate the infinite possibilities of careful looking.
the configurations in this book were created by scanning cut-out paper frames over pages of library photo-books. the selective and playful subtraction of the photographs through a circle, square and rectangle lens, results in a compilation of compositions within compositions that demonstrate the infinite possibilities of careful looking.
9.5 ” x 13 ”
coptic binding
laser printing
148 pages
edition of < 10
coptic binding
laser printing
148 pages
edition of < 10
colors of nothingness
this book displays adapted imagery of molding bread along with photos of space from NASA’s archives. the concept draws inspiration from Leonard Koren’s writing on the ideals of Japanese wabi-sabi. the juxtaposition of the expanding universe and an ordinary example of decay, looks to reveal the fine line between creation and destruction, and considers the encounter of the two as an opportunity for new life.
7 ” x 8.5 ”
japanese binding
laser + risograph
edition of < 10
japanese binding
laser + risograph
edition of < 10
naive forms
this book honors a fundamental, childlike way of experiencing the world — one understood primarily through form and matter, rather than language.
familiar objects from our environment are presented as seen through the negative spaces around them. the images progress from sky to ground, indicated in the side of each page. full-bleed images hide between folded pages, prompting curiosity and discovery. the reader is invited to find underlying connections and meaning, forming their own sense of the world.
familiar objects from our environment are presented as seen through the negative spaces around them. the images progress from sky to ground, indicated in the side of each page. full-bleed images hide between folded pages, prompting curiosity and discovery. the reader is invited to find underlying connections and meaning, forming their own sense of the world.
9.5 ” x 13 ”
chipboard sleeve
silkscreen type
48 french folds
edition of < 10
featured in
Framework 101 &
Parsons CD Thesis ‘22
chipboard sleeve
silkscreen type
48 french folds
edition of < 10
featured in
Framework 101 &
Parsons CD Thesis ‘22
chirp & chomp
creative direction and design of a periodical publication that challenges the misconceptions around entomophagy – the ancient practice of eating insects. interviews and captivating data initiate a conversation about a more sustainable future for food. the visual language and typographic style is fun, experimental and slighly bizarre, to match the nature of its content.
