(un)framing vision




Forming compositions requires more than just looking , it’s vision with care and deliberation . Just as a frame encloses an image , it opens up an infinite range of new ones .

The configurations in this book were created by scanning cut-out paper frames over pages of library photo-books . The selective and playful subtraction of the photographs through a circle , square and rectangle paper lense , results in a compilation of compositions within compositions that demonstrate the infinite possibilities of careful looking .



9.5 ” x 13 ”
Coptic Binding
Laser Printing
148 pages
Edition of < 10




Colors of Nothingness





This book displays adapted imagery of molding bread along with photos of space from NASA’s archives . The concept draws inspiration from Leonard Koren’s writing on the ideals of Japanese Wabi-Sabi . The juxtaposition of the expanding universe and an ordinary example of decay , looks to reveal the fine line between creation and destruction , and considers the encounter of the two as an opportunity for new life .


7 ” x 8.5 ”
Japanese Binding
Laser + Risograph Printing
Edition of < 10




Naive Forms



With time , we turn the visible world into designated meaning and language , replacing looking with thinking . This book honors a fundamental , child-like experience of the world , one understood primarily through form and matter .

Familiar objects from our environment are shown as seen through negative spaces in their surroundings . The images are arranged from sky to ground , indicated in the side of each page , and full-bleed images hide in-between folded pages , prompting curiosity and discovery . The reader may find underlying connections and meaning , forming their own sense of the world .



9.5 ” x 13 ”
Chipboard sleeve
Screenprinted type on sleeve
48 French folds
Edition of < 10

Featured in
Framework 101
Parsons CD Thesis ‘22


Chirp & Chomp





Creative direction and design of Chirp & Chomp , a publication that challenges the misconceptions around entomophagy – the ancient practice of eating insects . Interviews and captivating data initiate a conversation about a more sustainable future for food . The visual language and typographic style is fun , experimental and slighly bizarre , to match the nature of its content .